Hi!I am on vacation so did not see the reaction to some of my posts yesterday, or I would have responded sooner. As a heads up, I am going to return to vacation momentarily and won’t be back until Friday.
But I want to apologize for an earlier tumblr post in which I captioned Hazel and Gus’s movie kiss in Amsterdam by saying something like, “When was the last time the girl kissed the boy in a romance?”
I thought it would be contextually clear that I was referring to romantic movies, not to books. There have been many (many many many many) books for teens in which the girl kisses the boy. But there have also been many movies in which the girl kisses the boy, so I was dead wrong regardless.I was trying to congratulate the filmmakers on making a smart choice to have Hazel kiss Gus (and it is a choice, since in the book it’s not clear who, for lack of a better term, makes the move). I was not in any way trying to credit myself with having had the girl kiss the boy, especially since I didn’t in TFIOS—at least not unambiguously so.
All that noted, it was an incorrect thing to say, and I apologize. In my exuberance for the film, I said something that was both flatly wrong and offensive, and I appreciate being called out on it, and I’m sorry.
I’ve also been told that lots of people felt that it was unfair of me to tweet that it took guts for Fox to release a small, female-led movie in the summer, and to make a movie about people living with disabilities. I want to be clear that I don’t think there was anything REVOLUTIONARY about Fox’s choices here: after all, TFIOS came out two weeks after Maleficent, which was also a gutsy release date imho, and certainly TFIOS isn’t the first movie to feature characters with disabilities prominently.
But I strongly believe it was smart and gutsy of Elizabeth Gabler to make TFIOS, and then to release it in June. I don’t want to generalize unfairly, but many studio heads feel that summer should be all about action movies and superheroes. (For the record, I thought it was bananas to release the movie in June against a Tom Cruise film.) But Elizabeth believed there would be an audience for it, and she was right, and it was a brilliant call, and I’m grateful to her.
In general, I do want to clarify one more thing: When I talk about the movie, I am not talking about myself, because I did not make the movie, write the screenplay, cast the movie etc. I had nothing to do with any facet of the actual process of making and marketing the movie (except agreeing to, like, be interviewed and stuff), so I do not deserve any credit for the quality or success of the film. All that credit should go to the people at Fox, the filmmakers, and cast and crew.
so are people just insulting john green for anything now, even things he has literally no ability to impact or control or even contributed anything toward? are we blaming him for late capitalism? how about the industrial revolution’s effect on the environment? god damn john green, I hate you for giving Ayn Rand the idea for objectivism
When the President essentially said DFTBA.
My emotions cannot handle this. I was actually screaming.
File under: Things we were not anticipating.
Hank, you have a stupid face
Maybe “you have a stupid face” can be our “always.”
This is a photo of me stagediving at LeakyCon. It was taken by the lovely and charming Evanna Lynch. Life is weird/beautiful.
Anyway, while I was crowdsurfing—I was out there for quite a while—I had time to think about some things:
1. The Harry Potter fandom is uniquely wonderful, and the greatest luck of my professional life is probably that so many HP fans became early nerdfighters, because the whole culture of nerdfighteria came not primarily from us but from those early nerdfighters.
2. Although it is hard for me to express it in a meaningful, individual way, I am really grateful to everyone who identifies as a nerdfighter. We’ve done so much amazing stuff together that none of us could ever have done alone.
3. I love being a nerdfighter, and I love being a nerd, and I seeing people be so honestly themselves is such an inspiration to me.
4. How are all these people—many of whom are very small—holding me aloft?
5. The metaphor here is too obvious.
6. There’s probably a better, more interesting metaphor that I’m not thinking of.
7. I guess the real metaphor is not you-can-only-make-stuff-if-people-hold-you-up; the real metaphor here is that together-things-happen-that-can-never-happen-alone, which is a very important thing for an introverted and socially anxious person like me to realize. I guess these days this is a politically charged statement, but it seems to me manifestly true: You make nothing alone. Human beings are not mere competitors, and human life is not merely competition. We are collaborators. To be human is to catch the falling person.
Everybody was told to make a funny face, but I didn’t get the memo.
Esther Earl would’ve been 18 tomorrow, a real adult. I miss her.
It’s very easy to turn the dead into Lessons for the Living—to say that Esther taught me to Live Life or To Be Grateful or Not To Take Beauty for Granted. But honestly, in my opinion at least, any lessons learned from her death could’ve been learned in some other, easier way. I think the universe overall would be better off if she were still making videos.
I am so glad that I knew Esther, and that she was a nerdfighter, and that through Esther’s family and This Star Won’t Go Out we can still decrease suck with her. But I am also really pissed off that she died.
She was young, blessed with a genuinely sophomoric sense of humor, silly, empathetic, madly in love with her friends and family, and a very gifted writer. It’s hard to isolate why, but I’ve never liked a teenager so much—at least not since I was a teenager. She was just really cool, in the best sense of the word. She never made me feel uncomfortable. She listened to me and responded thoughtfully, and was also happy to tell me I was full of shit.
(On the day this picture was taken, I generally did a not-great job of being an Adult and cried a lot, and at one point Esther was talking about her complicated relationship with the idea of heaven, and I answered that there were all kinds of ways of imagining an infinite afterlife, some of which weren’t even necessarily that supernatural, and she just cocked me a look like, “You need to learn the meaning of the word infinite.” She was right, of course. Back in my hotel room that night, I jotted down easy comfort isn’t comforting, which ended up in TFiOS.)
The nearly two years since her death have complicated my relationship with Esther because now of course there is not only time but a book between us: I could never have written The Fault in Our Stars without knowing Esther. Every word on that book depends upon her.
But at the same time, I don’t want people conflating Esther with Hazel (they’re very different), and it’s extremely important to me that I not claim to be telling Esther’s story. Esther’s story belongs to Esther and to her family, and they will tell it brilliantly and beautifully.
When I was doing publicity for the book, lots of reporters wanted me to talk about Esther because these days novels “based on a true story” do so much better than novels that are just novels. I never really knew how to deal with these questions, and I still don’t, because the truth (as always) is complicated: Esther inspired the story in the sense that I was very angry after her death and wrote constantly, with a focus and passion I hadn’t known since I was rewriting Looking for Alaska in 2003. And Esther helped me to imagine teenagers as more empathetic than I’d given them credit for. And her charm and snark inspired the novel, as did her idea of incorporating an author she liked into her Wish. But the story is also inspired by many other people—by my son, by my wife, by the kids I knew and loved who died in the children’s hospital when I was a student chaplain, by my own parents (my dad is a cancer survivor), etc.
I wish she’d read TFiOS. I suspect she would’ve found it a bit far-fetched, but I do hope she’d have enjoyed it anyway. I’ll never know, though. I am astonished that the book has found such a broad audience, but the person I most want to read it never will.
Esther has become a hero in our community, and the heroic narrative doesn’t always line up perfectly with the person she was. (Heroic narratives never do.) But this much was true, at least as far as I knew her: She was generous, and loving, and full of grace—which was, after all, her middle name.
Plus, she knew how to make a funny face on cue.
When I told Esther we wanted to celebrate her birthday as long as there were vlogbrothers videos, and that videos on that day could be about whatever she wanted them to be about, she waited a couple weeks before getting back to me. She finally decided she wanted it to be a day that celebrated love in families and among friends. I think of Esther Day as a kind of Valentine’s Day for all the other kinds of love.
It was a brilliant idea, Esther. Thank you for Esther Day. Thank you for helping me say to my family and friends what I still hope I can say to you, even over the great divide: I love you.